*Mildly spoiler-containing*
Just saw ??V for Vendetta??. I was favorably impressed, though I wasn’t terribly surprised or impressed by the content — it was basically what I assumed it would be based on the trailer, etc. This is as opposed to something like ??Kiss Kiss Bang Bang??, which was a total surprise — however, as I expected it to be good, it’s no complaint to say it was what I expected. And in fact it did surprise me in small ways — for example, in having very little actual action in it, which is refreshing.
I found its political content to be somewhat more pertinent, more practical, than the religious content of the ??Matrix?? films — as much as I enjoy me some Arendtian- and Cornel-West-influenced neo-Gnosticism — and certainly something that people would do well to consider; we’re living in an active slide into a more and more executive-branch governmental structure, and no one but the shrill, screaming edge of the left seems to be kicking up a fuss about it — something which the mainstream may regret ten years from now. (This is not to say that the current American government is engineering crises or anything as part of a power grab — far be it from me to suggest such a thing — but the receptive condition into which much of America has been lulled is absolutely a state of vulnerability with regard to potential totalitarianism.)
The film is plot-weak and message-heavy, but it’s well-crafted, and the performances are strong. With the possible exception of Natalie Portman (who, while making consistently excellent career choices, has never really wowed me as a performer), everyone is dead-on — particularly Hugo Weaving, who does an amazing job acting without facial expressions, “Stephen Fry”:http://imdb.com/name/nm0000410/, “Stephent Rea”:http://imdb.com/name/nm0001653/, and “John Hurt”:http://imdb.com/name/nm0000457/.
I would have enjoyed a better development of the characters — all of the characters. In fact, the movie could have stood to be considerably larger. I would also have liked a somewhat more complex (i.e., less sympathetic) portrayal of V — which I suspect, based on “this interview”:http://kukkurovaca.textdriven.com/friendlytentaclemonster/2006/03/15/mile-high-comics-presents-the-beat-at-comiconcom-a-for-alan-pt-1-the-alan-moore-interview/ which Kevin pointed out to me, is probably a concern that’s valid relative to the original source material. (I haven’t read the comic yet — I’m still having trouble sliding into that subculture — but I have read ??Watchmen?? and I’m assuming certain things about ??V?? based on that — i.e., the vastness and moral complexity.) I mean, someone who’s willing to kill lots of people, get lots of people killed, and torture his allies for pedagogical purposes is not the kind of person we should honor unconditionally. The movie attacks one end of the political spectrum for ends-means justification, but doesn’t call the other side on it — that is what we call a double standard. More importantly, the question of _just how far_ it’s okay for a hero to go is actually a very interesting dramatic topic — see, for example, ??Alias??, where it’s one of the key themes.
All of which is not to say that I wasn’t tearing up a bit when the little dead girl took off her mask. And not to say that I wasn’t all “fuck yeah” about the “ideas are bulletproof” line. (Note: Ideas are not at all bulletproof. Still, it’s a charming conceit.)
Of course, the one thing that is really surprising is that this movie was made at all — as a critique of possible neo-fascism arising from the current western political climate, it should be getting crazy heat from the right or at least causing widespread discomfort; I haven’t heard anything yet about any sort of backlash. This is puzzling, though I don’t know whether it’s a good sign — i.e., we’re okay with the critique — or a bad sign — i.e., we’re so lackadaisical we haven’t even noticed it as a critique.
Note: I’m probably not going to get any traction on this, but I’d almost be inclined to stack it up against ??Kingdom of Heaven??, which I more and more think was a really beautiful political allegory, and which I know that no one else in the world actually liked.